Softly Rested in the Industrial Era轻拿轻放的工业时代

When fate grants me an island, I long for the mountains;
When fate grants me a mountain, I yearn for the island.
As the tide recedes, I dwell upon the mountain;
As the tide rises, I live upon the island.
当老天送我一座岛时,我更喜欢山;
当老天送我一座山时,那我更喜欢岛;
退潮了,我生活在了山上;
涨潮了,我就生活在了岛上。
… Read More >Softly Rested in the Industrial Era轻拿轻放的工业时代

Nested by Space when You Observe, You Are Bound to Be Collapsed by Time when You Divine.当你在观察中被空间嵌套,必定在占卜中被时间坍缩

“Because many go, many go; thus, many will go.”
How do you differ from the “many” who came before and the “many” who follow after?
“因为很多人去,所以很多人去,那么,就会有更多的人去。”
你与前面的“很多人”和后面的“很多人”有何不同?
Weil viele gehen, gehen viele; also werden viele gehen.“
Wie unterscheidest du dich von den „vielen“ davor und den „vielen“ danach? … Read More >Nested by Space when You Observe, You Are Bound to Be Collapsed by Time when You Divine.当你在观察中被空间嵌套,必定在占卜中被时间坍缩

Alienated Gaze: Folding Life, Folding Fields疏离的凝视:折叠的场域,折叠的生存

The Origin (Sacrifice) and Existence (2012) serves as a radical dialogue between the physical body and the earth. The exposed body curled within the crevices of the turf is not merely a pursuit of life’s origins, but a visual declaration delivered under a state of landlessness—when stable “land” ceases to exist, one can only seek temporary refuge through a non-referential confrontation. 2012年的《起源(祭祀)与存在》,是一场肉身与大地的激进对话。蜷缩在草皮缝隙中的裸露躯体,不仅是在追寻生命起源,更是在无地状态下发出的视觉宣告——当稳定的“土地”不复存在,人只能在非指涉的对峙中寻找暂时的栖息。
Wandering: The Spatiotemporal Links of Alienation穿行:疏离的时空纽带 … Read More >Alienated Gaze: Folding Life, Folding Fields疏离的凝视:折叠的场域,折叠的生存

Exiled into the Folds of the Wilderness: Dwell in the Seasons Beyond Algorithmic Nature放逐于荒野褶皱:在算法确定的自然之外拥抱四季

Like “Eyes Growing in the Night of a Blind Person’s Homecoming”
Wie „Augen, die in der Nacht der Heimkehr eines Blinden wachsen“
如同“盲人回家的黑夜中长出眼睛” … Read More >Exiled into the Folds of the Wilderness: Dwell in the Seasons Beyond Algorithmic Nature放逐于荒野褶皱:在算法确定的自然之外拥抱四季