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Nested by Space when You Observe, You Are Bound to Be Collapsed by Time when You Divine.当你在观察中被空间嵌套,必定在占卜中被时间坍缩
“Because many go, many go; thus, many will go.”
How do you differ from the “many” who came before and the “many” who follow after?
“因为很多人去,所以很多人去,那么,就会有更多的人去。”
你与前面的“很多人”和后面的“很多人”有何不同?
Weil viele gehen, gehen viele; also werden viele gehen.“
Wie unterscheidest du dich von den „vielen“ davor und den „vielen“ danach? …
Alienated Gaze: Folding Life, Folding Fields疏离的凝视:折叠的场域,折叠的生存
The Origin (Sacrifice) and Existence (2012) serves as a radical dialogue between the physical body and the earth. The exposed body curled within the crevices of the turf is not merely a pursuit of life’s origins, but a visual declaration delivered under a state of landlessness—when stable “land” ceases to exist, one can only seek temporary refuge through a non-referential confrontation. 2012年的《起源(祭祀)与存在》,是一场肉身与大地的激进对话。蜷缩在草皮缝隙中的裸露躯体,不仅是在追寻生命起源,更是在无地状态下发出的视觉宣告——当稳定的“土地”不复存在,人只能在非指涉的对峙中寻找暂时的栖息。
Wandering: The Spatiotemporal Links of Alienation穿行:疏离的时空纽带 …
Industrial Countenances in the Community:In Pursuit of an Irreplaceable Gaze and Companionship社区里的工业脸孔:只为寻找一次不可替代的凝视与相伴
无对标的对象:Objects Beyond Comparison: “Not the exact portrait of any specific person.” It transcends the traditional paradigm of individual portraiture, evolving into a universal yet representative facial identity born out of industrial contexts, relational divisions, and interactive gazes.“并非某人的确切肖像”。它超越了传统的个体肖像范式,转而成为一种在工业语境、区隔关系与互动凝视中孕育出的、兼具普遍性与代表性的面部身份。 …
【N/N*】I met an angel at a crossroads in the woods, and I saw her circling around me, maybe I was circling her. At least I had a hard time telling, because she was too bright for me to take my eyes off her.
The angel who met at the jungle crossroads https://www.redbubble.com/shop/ap/103318856?asc=u https://www.saatchiart.com/print/Painting-Angels-in-the-Woods/1919997/9109143/view
