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Alienated Gaze: Folding Life, Folding Fields疏离的凝视:折叠的场域,折叠的生存
The Origin (Sacrifice) and Existence (2012) serves as a radical dialogue between the physical body and the earth. The exposed body curled within the crevices of the turf is not merely a pursuit of life’s origins, but a visual declaration delivered under a state of landlessness—when stable “land” ceases to exist, one can only seek temporary refuge through a non-referential confrontation. 2012年的《起源(祭祀)与存在》,是一场肉身与大地的激进对话。蜷缩在草皮缝隙中的裸露躯体,不仅是在追寻生命起源,更是在无地状态下发出的视觉宣告——当稳定的“土地”不复存在,人只能在非指涉的对峙中寻找暂时的栖息。
Wandering: The Spatiotemporal Links of Alienation穿行:疏离的时空纽带 …
【N/N*】I met an angel at a crossroads in the woods, and I saw her circling around me, maybe I was circling her. At least I had a hard time telling, because she was too bright for me to take my eyes off her.
The angel who met at the jungle crossroads https://www.redbubble.com/shop/ap/103318856?asc=u https://www.saatchiart.com/print/Painting-Angels-in-the-Woods/1919997/9109143/view
