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Damao

A contemporary artist living in Seattle, using canvas paintings, installation art, and photographs to express the feel of styles of parallel groups or spaces, such as spatial folding and space.

  • Damao’s ART
  • In Damao’s artistic practice
Homelandless【N/N*】I met an angel at a crossroads in the woods, and I saw her circling around me, maybe I was circling her. At least I had a hard time telling, because she was too bright for me to take my eyes off her.

【N/N*】I met an angel at a crossroads in the woods, and I saw her circling around me, maybe I was circling her. At least I had a hard time telling, because she was too bright for me to take my eyes off her.

Posted onMarch 2, 2022April 9, 2025 By Chao

The angel who met at the jungle crossroads

Angels in the woods,Oil on canvas,2014,Damao,120cmX80cm

https://www.redbubble.com/shop/ap/103318856?asc=u

https://www.saatchiart.com/print/Painting-Angels-in-the-Woods/1919997/9109143/view

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Previous PostPrevious 【2/2】The Right of Refurbing
Next PostNext Living in downtown , it is already difficult to feel the breeze, and of course you can hardly hear the sound of water, except that you can see the water beating up and down from the fountain in the central square. It’s just that when you want to leave, your eyes are tired, but you don’t dare to close your eyes and rest, so you can only hold on until midnight, close your eyes and ride the wind home.

Recent Posts

  • The Blind Man’s Compass: False Certainty, Blindness, and the Spatial Order of Modernity 盲人的罗盘:虚假确定性、失明与现代性的空间秩序
  • Beyond Manufactured Order: Spatiotemporal Interactions in the Age of Mass Alienation 超越被制造的秩序:大众疏离时代的时空交互
  • The Abandoned Gaze within the Landless Domain无地之域中的废弃凝视
  • 折叠的生存:现代人在空间交互中的疏离与被注视/Folded Existence: Alienation and the Scrutinized Self in Spatial Interaction
  • 【1/2】Distinguish: Portrait and Character

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